Stacey Abrams’s Fight for a Fair Vote

As the 2020 elections approach, Abrams is leading the battle against voter suppression.

The New Yorker
by Jelani Cobb

“I have the right to do the things I think I should do,” Abrams said. “My gender and my race should not be limitations.”
Photograph by LaToya Ruby Frazier for The New Yorker

Among the many issues currently polarizing American politics—abortion, climate change, health care, immigration, gun control—one of the most consequential tends to be one of the least discussed. The American electorate, across the country, is diversifying ethnically and racially at a rapid rate. Progressives, interpreting the shift to mean that, following traditional paths, the new voters will lean Democratic, see a political landscape that is turning blue. Conservatives apparently see the same thing, because in recent years many of them have supported policies, such as voter-I.D. laws and voter-roll purges, that have disproportionately affected people of color.

The issue has become more pressing with the approach of the 2020 Presidential election. In June, the Supreme Court ruled that federal judges do not have the power to address partisan gerrymandering, even when it creates results that “reasonably seem unjust.” Last month, President Donald Trump was finally forced to abandon his effort to add, in defiance of another Court ruling, a citizenship question to the census—an idea that Thomas B. Hofeller, the late Republican strategist who promoted it, believed would aid the G.O.P. in further redistricting. But, days later, the President was telling four American women of color, all elected members of the House of Representatives, to “go back” to where they came from.

The nation got a preview of the battle for the future of electoral politics last year, in Georgia’s gubernatorial race. The Republican candidate was declared the winner by a margin of less than two percentage points: fifty-five thousand votes out of nearly four million cast—a record-breaking total for a midterm election in the state. Many Georgians, though, still use the terms “won” and “lost” advisedly, not only because the Democrat never technically conceded but also because of the highly irregular nature of the contest. The Republican, Brian Kemp, was Georgia’s secretary of state, and in that role he presided over an election marred by charges of voter suppression; the Democrat, Stacey Abrams, has become the nation’s most prominent critic of that practice.

Although she has only recently come to wide attention, Abrams, a forty-five-year-old tax attorney, romance novelist, and former state representative, has been working on electoral reform—particularly on voter registration—in Georgia for some fifteen years. In that regard, some Georgians view her campaign as a success; she won more votes than any Democrat has ever won for statewide office. Georgia is representative of the nation’s demographic changes. The population is 10.5 million, and, according to the Atlanta Journal-Constitution, it was 57.5 per cent white in 2008, fell to 54.2 per cent white in 2018, and will be 53.6 per cent white next year. It will be majority-minority by 2033. Democratic leaders from red states in the South and beyond with shifting populations—they include the Presidential candidates Mayor Pete Buttigieg, of South Bend, Indiana, and former Representative Beto O’Rourke, of El Paso, Texas, as well as the former Agriculture Secretary Mike Espy, who is considering a second run for the U.S. Senate, in Mississippi—have examined Abrams’s campaign to see how they might adopt its strategies. Espy described his discussion with her as “a graduate course in politics.”

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Courtesy of: The New Yorker

LaToya Ruby at the Mudam Luxembourg

Wall Street International Magazine
by Staff

27 Apr — 22 Sep 2019

LaToya Ruby Frazier. Courtesy of Mudam Luxembourg.

Mudam Luxembourg in Luxembourg, Luxembourg

Coinciding with May 2019, the European Month of Photography, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean presents a monographic exhibition for one of the most important photographers of her generation, LaToya Ruby Frazier (*1982). Since the early 2000s this American artist has developed a documentary practice that is both personal and engaged with the social, political, and economic realities of the United States.

Frazier’s photographic series The Notion of Family, was developed between 2001 and 2014 around three generations of women – her grandmother, mother and herself – witnessing the decline of her hometown of Braddock, the former steel capital of the suburbs of Pittsburgh, Pennsylvania, that would subsequently become a ghost town. Based on personal experience, the series makes visible a collective history that is universal in its scope. Frazier has said: “Braddock is everywhere”.

For her exhibition at Mudam, Frazier presents The Notion of Family with two more recent bodies of work that continue her focus on the working classes and the interaction between personal life and sociopolitical issues. On the Making of Steel Genesis: Sandra Gould Ford (2017) is the outcome of a close collaboration with Sandra Gould Ford, a photographer and writer who was employed in the steel industry of Pittsburgh and who documented life in factories that were closing down. The second series, Et des terrils un arbre s’élèvera (2016-2017), is the result of an ambitious project near Mons, in Borinage Belgium, created in collaboration with former miners and their families.

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Courtesy of: Wall Street International Magazine

The End of the Line: What Happens to a Factory Town When the Factory Shuts Down?

The New York Times Photo Essay and Interviews by LaToya Ruby Frazier

Louis Robinson Jr., 77
Recording secretary for Local 1714 of the United Auto Workers from 1999 to 2018

“One mistake the international unions in the United States made was when Ronald Reagan fired the air traffic controllers. When he did that, the unions could have brought this country to a standstill. All they had to do was shut down the truck drivers for a month, because then people would not have been able to get the goods they needed. So that was one of the mistakes they made. They didn’t come together as organized labor and say: “No. We aren’t going for this. Shut the country down.” That’s what made them weak. They let Reagan get away with what he did. A little while after that, I read an article that said labor is losing its clout, and I noticed over the years that it did. It happened. It doesn’t feel good.”

With the minutes from a meeting of his union’s retirees’ chapter.


Dave Green, 49 President of Local 1112 of the United Auto Workers

Dave Green, 49
President of Local 1112 of the United Auto Workers

Unions aren’t just about making more money. It’s about having a seat at the table. It’s about having the ability to talk to your employer and be respected, having some dignity in work, having some dignity and respect in what you do.

People keep saying: “Well, I feel sorry for you. Your plant’s closed.” It ain’t closed! It’s unallocated! If the company would come out and tell us that the plant is closed, then I could process what I would think about my kids and where they’re going, and about my parents and how they’re feeling, and about what plant I could go to. But I can’t think that far ahead because I’m not in a position to leave. I can’t transfer out right now. I ran for this job 10 months ago, and I got elected. I’m going to leave now? I have to wait until all this plays out.

What the hell does “unallocated” even mean? I don’t know. We have specific language in our national agreement that talks about a “closed” plant status and an “idled” plant status, but there’s not any language that talks about “unallocated.” So they’ve come up with this word to put us in a situation where: A, the contractual language doesn’t fit for this specific situation, and B, they’re kind of skirting their obligations, right? If we were in closed-plant status, there would actually be more benefits for our members right now. But we’re not.

So I’m going to ride this out, and if the plant does close, I’ll figure it out then. If it doesn’t, then I’ll stay here and get to give good news to people. That’s the hope.

With his daughters, Alison and Cate, and parents, Elaine and Roger.

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Courtesy of: The New York Times

LaToya Ruby Frazier – The Last Cruze

The Renaissance Society presents a new body of work by acclaimed artist LaToya Ruby Frazier, The Last Cruze, centered on the workers at the General Motors plant in Lordstown, Ohio.

LaToya Ruby Frazier, The Last Cruze 2019
LaToya Ruby Frazier, Eugene (Red) Adams, Eugene Jr. (Andy) Adams, Bill Adams And Dan Adams, The Last Cruze 2019. Courtesy of the artist and Gavin Brown’s Enterprise New York | Rome.

After more than fifty years of auto production, and a current commitment to manufacture the Chevrolet Cruze until 2021, the facility has recently been “unallocated” by GM. Employees have been given the choice to relocate to another plant in a different part of the country, but those who don’t want to be uprooted will be cut off from the company, losing their pensions and health care. For now, the plant is idle and the workers’ lives are on hold, as they wait for General Motors’ negotiations with the union to begin in September. During this period of high uncertainty and change, Frazier has been in Lordstown with the workers and their families, collaborating with them to record their stories. A selection of these images and interviews is presented in a photo-essay in the May 5 issue of The New York Times Magazine.

Featuring photographs and other audio-visual elements, The Last Cruze introduces a significant new chapter in Frazier’s investigations of labor, family, community, and working-class lives across a wide variety of geographic settings—from Flint, Michigan and the Borinage mining region in Belgium to her hometown of Braddock, Pennsylvania. The developments in Lordstown have brought wide-spread attention to the small Rust Belt town, which has emerged as a political flashpoint and been cited as symptomatic of shifting economic trends. Timely and nuanced, Frazier’s new work in Lordstown creates a platform for the workers who are directly affected by the plant’s changing status, bringing forward their own relationships to an urgent subject that connects the local, national, and global.

A monograph with multiple new essays, published by the Renaissance Society, will accompany the exhibition.

The Last Cruze is curated by Solveig Øvstebø and Karsten Lund.

Sep 14 – Dec 1, 2019 LaToya Ruby Frazier – The Last Cruze

Opening reception / Artist Talk Saturday, Sep. 14 5–8pm

THE RENAISSANCE SOCIETY
University of Chicago
5811 South Ellis Avenue
Cobb Hall, 4th Floor
Chicago, Illinois 60637

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Courtesy of: THE RENAISSANCE SOCIETY

LaToya Ruby Frazier to receive Honorary Doctorate

Edinboro welcomes MacArthur ‘Genius’ Fellowship recipient as spring commencement speaker

LaToya Ruby Frazier, an internationally recognized visual artist and social justice advocate, will return to her alma mater to deliver the commencement address at Edinboro University’s undergraduate ceremony on Saturday, May 4.

Frazier, who earned a Bachelor of Fine Arts – Applied Media Arts from Edinboro in 2004, will also receive an honorary Doctor of Humane Letters during the ceremony.

Chosen by Ebony as one of the 100+ Most Powerful Women of All Time, Frazier uses photography, video and performance art to capture the effects of economic erosion, racism, healthcare inequality and environmental toxicity in post-industrial cities. Her compositions aim to combat social injustice by amplifying the voices of marginalized and vulnerable populations.

She has earned numerous recognitions throughout her career, including the International Center for Photography Infinity Award, the John Simon Guggenheim Memorial Foundation Fellowship and the MacArthur “Genius” Fellowship, one of the most notable intellectual and creative fellowship awards in the world.

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Courtesy of: Edinboro University News

NY magazine to feature UAW 1112

Tribune Chronicle
by Ron Selak Jr.

Show of labor unity

NORTH JACKSON — When well-known photographer LaToya Ruby Frazier let it be known she would be above the United Auto Workers Local 1112 hall in a helicopter to take photos of the building’s exterior for a magazine cover, local UAW leaders thought they could do better.

They put their heads together and decided to blast out to the union’s members an invitation to come to the hall on Reuther Drive SW to form a human wheel around the circle and flags in the parking lot.

The message through the union’s alert system was sent somewhere between 11 and 11:30 a.m. Thursday. They figured they needed about 75 people to form the circle.

About three hours later, at least a couple hundred local members created in the circle with UAW banners and also signs, some from the Drive It Home Ohio campaign and some homemade.

The high turnout shows “they are concerned, want to come out, want to support,” said UAW Local 1112 President Dave Green. “They believe in the cause, they believe we can get a product here. We’re doing everything we can to push on and push forward and keep hope alive. We are not giving up.”

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Courtesy of: Tribune Chronicle